{"id":19226,"date":"2014-12-28T16:05:09","date_gmt":"2014-12-28T23:05:09","guid":{"rendered":"http:\/\/www.vuzhmusic.com\/blog\/?p=19226"},"modified":"2014-12-29T13:42:37","modified_gmt":"2014-12-29T20:42:37","slug":"2014-recommended-netlabel-releases","status":"publish","type":"post","link":"http:\/\/www.vuzhmusic.com\/blog\/2014\/12\/28\/2014-recommended-netlabel-releases\/","title":{"rendered":"2014 &#8211; Recommended Netlabel Releases"},"content":{"rendered":"<p>Two lists, as usual.  One is the stuff I did in 2014, the second is the stuff I liked that was available in the worldwide netlabel underground during the year.<br \/>\n&#8211;<br \/>\nNetlabeling entails releasing music for free (or name your price), accordingly every single thing here can be downloaded for free (and usually streamed too).  The distinguishing factor between the standard model of releasing music and the netlabel model is this open accessibility without the barrier of a price.  As such, those self-releasing artists who release their music for free are a vital part of the netlabel world.  The &#8220;label&#8221; part of the term &#8220;netlabel&#8221; is a misnomer in some respects.  In fact, the term is problematic in some other ways that I&#8217;ll probably write about in the future.  Much of this music is released under various <a href=\"http:\/\/creativecommons.org\/\">Creative Commons<\/a> licenses.  Some of these CC licenses allow &#8220;derivs&#8221; (short for &#8220;derivatives&#8221;).  What that means is that anyone can remix or sample the work to make new music, it&#8217;s allowed in the license.  I like it when people choose to make their music accessible for remixing\/sampling, so I&#8217;ve denoted whether the release allows or disallows derivs in green or red script.<br \/>\n&#8211;<br \/>\nI dig experimental \/ drone \/ noise \/ improv \/ abstract musics&#8230; and so you&#8217;ll find a lot of that here, but there&#8217;s also some stuff with melody &#038; beat.<br \/>\n&#8211;<br \/>\nPrevious year&#8217;s lists:<br \/>\n<a href=\"http:\/\/www.vuzhmusic.com\/blog\/2013\/12\/22\/2013-review-and-57-notable-netlabel-releases\/\">2013<\/a>, <a href=\"http:\/\/www.vuzhmusic.com\/blog\/2012\/12\/26\/2012\/\">2012<\/a>, <a href=\"http:\/\/www.vuzhmusic.com\/blog\/2011\/12\/25\/my-favorite-free-netlabel-music-of-2011\/\">2011<\/a>, <a href=\"http:\/\/www.vuzhmusic.com\/blog\/2010\/12\/19\/best-of-netlabel-releases-2010\/\">2010<\/a>, <a href=\"http:\/\/www.vuzhmusic.com\/blog\/2010\/01\/05\/favorite-net-releases-2009\/\">2009<\/a>.<br \/>\n&#8211;<br \/>\nBy the way, this is all listed in alphabetical order based on the album titles, not #1, #2&#8230; etc.<br \/>\nNot counting my stuff, there&#8217;s 71 releases listed!  Well over two entire days worth of listening!<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\nSo I also made a long DJ mix of many tracks from this list.  Download it here (<a href=\"http:\/\/vuzhmusic.com\/comprezh\/NetlabelMIX2014.zip\">link<\/a>) or stream with the widget below.<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fvuzh%2F2014-netlabel-mix%2F&amp;embed_uuid=99e774ff-9c09-4565-b0f5-57cb5faa3327&amp;replace=0&amp;hide_cover=1&amp;embed_type=widget_standard&amp;hide_tracklist=1\" frameborder=\"0\" height=\"180\" width=\"660\"><\/iframe><\/p>\n<div style=\"clear: both; height: 3px; width: 652px;\"><\/div>\n<p style=\"display: block; font-size: 11px; font-family: &quot;Open Sans&quot;,Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: rgb(153, 153, 153); width: 652px;\"><a href=\"http:\/\/www.mixcloud.com\/vuzh\/2014-netlabel-mix\/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\" style=\"color:#808080; font-weight:bold;\">2014 Netlabel Mix<\/a><span> by <\/span><a href=\"http:\/\/www.mixcloud.com\/vuzh\/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\" style=\"color:#808080; font-weight:bold;\">Vuzh<\/a><span> on <\/span><a href=\"http:\/\/www.mixcloud.com\/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\" style=\"color:#808080; font-weight:bold;\"> Mixcloud<\/a><\/p>\n<div style=\"clear: both; height: 3px; width: 652px;\"><\/div>\n<p><center>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<strong><u>Self-serving List of my own releases for 2014!<\/strong><\/u><br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<\/center><br \/>\nDaniel Barbiero &#8211; After 30 x 12 (for C. Reider)<br \/>\n<a href=\"http:\/\/opensoundgroup.wordpress.com\/2014\/07\/26\/release-daniel-barbiero-after-30-x-12-for-c-reider\/\">http:\/\/opensoundgroup.wordpress.com\/2014\/07\/26\/release-daniel-barbiero-after-30-x-12-for-c-reider\/<\/a><br \/>\nOpen Sound Group || CC BY NC <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Composition for double bass and electronics.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/ia802508.us.archive.org\/28\/items\/DanielBarbiero-After30x12ForCReider\/DanielBarbiero-cover.jpg?cnt=0\" width=\"115\"><\/p>\n<hr width=\"66%\">&#8211;<br \/>&#8211;<br \/>\nC. Reider &#8211; Awkward Hugs<br \/>\n<a href=\"http:\/\/www.bumpfoot.net\/foot229.html\">http:\/\/www.bumpfoot.net\/foot229.html<\/a><br \/>\nBumpFoot || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Minimal techno, sorta &#8211; okay not really.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/ia802306.us.archive.org\/24\/items\/foot229\/foot229.jpg?cnt=0\" width=\"115\"><\/p>\n<hr width=\"66%\">&#8211;<br \/>&#8211;<br \/>\nC. Reider &#8211; Detritus 1&#038;2<br \/>\n<a href=\"https:\/\/c-reider.bandcamp.com\/album\/detritus-1-2\">https:\/\/c-reider.bandcamp.com\/album\/detritus-1-2<\/a><br \/>\nSelf Released || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Odds &#038; ends, phone messages, field recordings, musical snippets.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a2839111096_2.jpg\" width=\"115\"><\/p>\n<hr width=\"66%\">&#8211;<br \/>&#8211;<br \/>\nC. Reider &#8211; Disrepair<br \/>\n<a href=\"https:\/\/c-reider.bandcamp.com\/album\/disrepair\">https:\/\/c-reider.bandcamp.com\/album\/disrepair<\/a><br \/>\nSelf Released || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Spacious ambient guitar improvisation<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a1658410494_2.jpg\" width=\"115\"><\/p>\n<hr width=\"66%\">&#8211;<br \/>&#8211;<br \/>\nC. Reider &#8211; Distressing<br \/>\n<a href=\"http:\/\/eg0cide.com\/2014\/01\/18\/eg0_107-c-reider-distressing\/\">http:\/\/eg0cide.com\/2014\/01\/18\/eg0_107-c-reider-distressing\/<\/a><br \/>\nEg0cide || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Exploring glitch &#038; degradation from stretching, using &#8220;annoying&#8221; sounds as a base<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a1312788525_2.jpg\" width=\"115\"><\/p>\n<hr width=\"66%\">&#8211;<br \/>&#8211;<br \/>\nC. Reider &#8211; I&#8217;d&#8217;ve<br \/>\n<a href=\"https:\/\/c-reider.bandcamp.com\/album\/idve\">https:\/\/c-reider.bandcamp.com\/album\/idve<\/a><br \/>\nVuzh Music || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Autumnal drones<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a0244710853_2.jpg\" width=\"115\"><\/p>\n<hr width=\"66%\">&#8211;<br \/>&#8211;<br \/>\nC. Reider &#8211; Not Subliminal<br \/>\n<a href=\"http:\/\/controlvalve.net\">http:\/\/controlvalve.net<\/a><br \/>\nControl Valve || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Gritty, lo-fi experimentations with cassettes<\/i><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.controlvalve.net\/thumbs\/CRNS.jpg\" width=\"115\"><\/p>\n<hr width=\"66%\">&#8211;<br \/>&#8211;<br \/>\nC. Reider &#8211; The Plangents<br \/>\n<a href=\"http:\/\/www.vuzhmusic.com\/releases\/plangents.html\">http:\/\/www.vuzhmusic.com\/releases\/plangents.html<\/a><br \/>\nVuzh Music || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Repetitive themes remembered from dreams.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a4154477057_2.jpg\" width=\"115\"><\/p>\n<hr width=\"66%\">\n<center>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<u><strong>Recommended Netlabel Releases of 2014<\/strong><\/u><br \/>\n<img decoding=\"async\" src=\"http:\/\/vuzhmusic.com\/misc\/fqk03.gif\" width=\"65\"><br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<\/center><br \/>\nMysterybear &#8211; Absence Sleeps Between The Buildings At Night<br \/>\n<a href=\"http:\/\/www.stasisfield.com\/releases\/year12\/sf-12001.html\">http:\/\/www.stasisfield.com\/releases\/year12\/sf-12001.html<\/a><br \/>\nStasisfield || Copyright <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Electronic drones paired with field recordings. Works exceptionally well.<\/i><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.stasisfield.com\/images\/releases_12\/SF-12001-absence\/350x350xcover_350.jpg.pagespeed.ic.xmxJ0PtOxF.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nJay-Dea Lopez &#8211; AC<br \/>\n<a href=\"http:\/\/www.galaverna.org\/?p=3003\">http:\/\/www.galaverna.org\/?p=3003<\/a><br \/>\nGalaverna || CC BY NC ND <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>A composition of field recordings made in domestic locations.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a1253493591_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nF\u00e9lix Blume &#8211; A los cuatro vientos<br \/>\n<a href=\"https:\/\/sonicterrain.bandcamp.com\/album\/str-020-a-los-cuatro-vientos\">https:\/\/sonicterrain.bandcamp.com\/album\/str-020-a-los-cuatro-vientos<\/a><br \/>\nSonic Terrain || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Rich, full, captivating sounds. Based on field recordings. Simply amazing.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a2163712136_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nEucci &#8211; apt.<br \/>\n<a href=\"http:\/\/euc.cx\/rive\/034\/index.html\">http:\/\/euc.cx\/rive\/034\/index.html<\/a><br \/>\nRive || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Six hour-long recordings of the interior ambience of an apartment, with all six hours layered to make a one hour album.  The idea was to record when no one was in the apartment, but someone entered, unplanned.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/ia600701.us.archive.org\/10\/items\/rive034\/rive034.jpg?cnt=0\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nChris Lynn &#038; Daniel Barbiero &#8211; Augmented Landscapes<br \/>\n<a href=\"https:\/\/zeromoon.bandcamp.com\/album\/augmented-landscapes\">https:\/\/zeromoon.bandcamp.com\/album\/augmented-landscapes<\/a><br \/>\nZeromoon || CC BY NC ND <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Double bass plus field recordings.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a2277842375_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nSchemawound &#8211; A Young Person&#8217;s Guide To Time Travel<br \/>\n<a href=\"http:\/\/music.schemawound.com\/album\/a-young-persons-guide-to-time-travel\">http:\/\/music.schemawound.com\/album\/a-young-persons-guide-to-time-travel<\/a><br \/>\nSelf-Released || CC BY NC <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Evocative electronic compositions based on the theme of time travel.<\/i><br \/>\n<img decoding=\"async\" src=\"http:\/\/f1.bcbits.com\/img\/a2359256006_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nTom Ellard &#8211; Barbara Channel 3<br \/>\n<a href=\"https:\/\/severedheads.bandcamp.com\/album\/barbara-channel-3\">https:\/\/severedheads.bandcamp.com\/album\/barbara-channel-3<\/a><br \/>\nSelf Released || Copyright <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Ellard describes it as &#8220;EZ Listening Tones and Numbers&#8221;. Seven musical environments presented as one long track. <\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a3999982007_10.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nIris Garrelfs &#8211; Bedroom Symphonies<br \/>\n<a href=\"https:\/\/linearobsessional.bandcamp.com\/album\/bedroom-symphonies\">https:\/\/linearobsessional.bandcamp.com\/album\/bedroom-symphonies<\/a><br \/>\nLinear Obsessional || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Compositions based around heavily effected vocals.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a0594375209_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nGuy Birkin &#8211; Bits<br \/>\n<a href=\"http:\/\/basicsounds.ca\/2014\/06\/02\/bsc_046\/\">http:\/\/basicsounds.ca\/2014\/06\/02\/bsc_046\/<\/a><br \/>\nBasic Sounds || CC BY NC ND <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Algorithmically generative quasi-techno.  Bips &#038; boops.<\/i><br \/>\n<img decoding=\"async\" src=\"http:\/\/basicsounds.ca\/wp-content\/uploads\/2014\/06\/00_-_guy_birkin_-_bits_-_cover_image.png\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nPaints ov Anima &#8211; Brassica<br \/>\n<a href=\"http:\/\/www.controlvalve.net\/blog\/index.blog?entry_id=2322846\">http:\/\/www.controlvalve.net\/blog\/index.blog?entry_id=2322846<\/a><br \/>\nControl Valve || No License Listed <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Muscley noise drone.<\/i><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.controlvalve.net\/blog\/POA.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\n303 &#8211; Brownian Motion<br \/>\n<a href=\"https:\/\/archive.org\/details\/JAM001\">https:\/\/archive.org\/details\/JAM001<\/a><br \/>\nCota303 || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Sorta 90s chillout ambient techno but with glitchy noise drone influences.  Not quite like microsound-techno.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/ia902205.us.archive.org\/30\/items\/JAM001\/JAM001_thumb.jpg?cnt=0\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nCinchel &#8211; Circle<br \/>\n<a href=\"https:\/\/cinchel.bandcamp.com\/album\/circle\">https:\/\/cinchel.bandcamp.com\/album\/circle<\/a><br \/>\nSelf Released || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Music from an installation.  The cover art is a set of instructions for setting up the installation.  Each track is a long drone work meant to be a single channel in the multi-channel piece.  I haven&#8217;t listened to this in its intended form, but it does work very nicely as a set of individual drone pieces.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a2018868592_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nMartin Rach &#8211; Concerto For Imaginary Ensemble and Electronics<br \/>\n<a href=\"http:\/\/www.audiotalaia.net\/catalogue\/at051-martin-rach\/\">http:\/\/www.audiotalaia.net\/catalogue\/at051-martin-rach\/<\/a><br \/>\nAudiotalaia || CC BY NC SA  <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Traditional instruments paired with noise electronics &#038; processing. The musical approach is sorta jazz meets new music, with harshness.  I hope this approach is further explored.<\/i><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.audiotalaia.net\/files\/at051a.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nJohn Kannenberg &#8211; Cordolium<br \/>\n<a href=\"https:\/\/johnkannenberg.bandcamp.com\/album\/cordolium\">https:\/\/johnkannenberg.bandcamp.com\/album\/cordolium<\/a><br \/>\nSelf Released || Copyright <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Processed field recordings intended to be audio poetry.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a1684956822_10.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nDisconnector &#8211; dark\/sky<br \/>\n<a href=\"https:\/\/disconnector.bandcamp.com\/album\/dark-sky\">https:\/\/disconnector.bandcamp.com\/album\/dark-sky<\/a><br \/>\nSelf Released || Copyright <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Fine contemporary ambient, some of it reminiscent of Loscil.  Very crisp &#038; modern sounding (which almost puts me off, actually&#8230; but it&#8217;s too good to pass up.)<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a0739256719_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\noier iruretagoiena &#8211; Ebaki<br \/>\n<a href=\"https:\/\/archive.org\/details\/EBAKI_201407\">https:\/\/archive.org\/details\/EBAKI_201407<\/a><br \/>\nChirria Sello || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Electronic insect sounds.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/ia802500.us.archive.org\/26\/items\/EBAKI_201407\/ebaki.jpg?cnt=0\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nLee Rosevere &#8211; Echo Peace<br \/>\n<a href=\"http:\/\/freemusicarchive.org\/music\/Lee_Rosevere\/Echo_Peace\/\">http:\/\/freemusicarchive.org\/music\/Lee_Rosevere\/Echo_Peace\/<\/a><br \/>\nHappy Puppy Records || CC BY NC <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Relaxing and groovy chill techno stuff, some krautrock influences detected, but mostly in the FSOL vein. It&#8217;s really well put together, and a testament to its quality is the fact that I just don&#8217;t spend much time with &#8220;this kind of music&#8221;, but I&#8217;ve been digging this a lot.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a0757241430_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nChristian Doil &#8211; Ein St\u00fcck Ostsee<br \/>\n<a href=\"http:\/\/rainnetlabel.blogspot.com\/2014\/11\/ein-stuck-ostsee-rain057.html\">http:\/\/rainnetlabel.blogspot.com\/2014\/11\/ein-stuck-ostsee-rain057.html<\/a><br \/>\nRain Netlabel || CC BY NC ND <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Sort of a nautical sound to this ambient music&#8230; the first track sounds like 20 story tall windchimes sounding next to a foggy seaside.  The second is more granular, but still with the occasional seagull passing by.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/ia802604.us.archive.org\/26\/items\/rain057\/rain057.jpg?cnt=0\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nSpectrical &#8211; Emergent Forms<br \/>\n<a href=\"http:\/\/www.con-v.org\/cnv79.html\">http:\/\/www.con-v.org\/cnv79.html<\/a><br \/>\nCon-V || CC BY NC ND <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>An everchanging longform piece of dingedrone, occasionally light breaks through the clouds&#8230;<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/ia902302.us.archive.org\/2\/items\/cnv79\/cnv79.jpg?cnt=0\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nLauren Redhead &#8211; entoptic landscape<br \/>\n<a href=\"http:\/\/www.panyrosasdiscos.net\/pyr123-lauren-redhead-entoptic-landscape\/\">http:\/\/www.panyrosasdiscos.net\/pyr123-lauren-redhead-entoptic-landscape\/<\/a><br \/>\nPan Y Rosas Discos || CC BY NC ND <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Four performances of a composition with open notation. Each of them sounds totally different. A pleasant variety of experimental sounds inspired by a visual phenomenon. <\/i><br \/>\n<img decoding=\"async\" src=\"http:\/\/freemusicarchive.org\/file\/images\/albums\/lauren_redhead_-_entoptic_landscape_-_20141027233316506.jpg?width=290&#038;height=290\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nEucci &#8211; envi.<br \/>\n<a href=\"http:\/\/euc.cx\/rive\/065\/index.html\">http:\/\/euc.cx\/rive\/065\/index.html<\/a><br \/>\nRive || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Industrial ambient composition, akin to NWW \/ Hafler Trio.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/ia700703.us.archive.org\/32\/items\/rive065\/rive065.jpg?cnt=0\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nRyzykowna Wyprawa Batyskafem &#8211; ep<br \/>\n<a href=\"https:\/\/idealstatenonumberseries.bandcamp.com\/album\/ep-2\">https:\/\/idealstatenonumberseries.bandcamp.com\/album\/ep-2<\/a><br \/>\nIdealState No Number Series || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Highly textured improv featuring processed sax, odds &#038; ends and electronics.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a0521267751_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nEren Silence &#8211; Eren III<br \/>\n<a href=\"https:\/\/erensilence.bandcamp.com\/album\/eren-iii\">https:\/\/erensilence.bandcamp.com\/album\/eren-iii<\/a><br \/>\nSelf-Released || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Drifting, yet highly dissonant dronescapes. Tense &#038; relaxing all at the same time.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a1926754371_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nColin Webster and Graham Dunning &#8211; Estigate<br \/>\n<a href=\"https:\/\/linearobsessional.bandcamp.com\/album\/estigate\">https:\/\/linearobsessional.bandcamp.com\/album\/estigate<\/a><br \/>\nLinear Obsessional || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>A bunch of gritty improvs with Webster&#8217;s sax &#038; Dunning&#8217;s unique modified turntable setup.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a0699769015_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nThe Inner Shore &#8211; Extracts from an Unknown Science<br \/>\n<a href=\"https:\/\/eg0cide.bandcamp.com\/album\/eg0-115-the-inner-shore-extracts-from-an-unknown-science\">https:\/\/eg0cide.bandcamp.com\/album\/eg0-115-the-inner-shore-extracts-from-an-unknown-science<\/a><br \/>\nEg0cide || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Harmonics-laden drone with an alien sheen.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a0506211269_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nStephanie (Lak) Germaine &#8211; Free #98B3E<br \/>\n<a href=\"http:\/\/www.controlvalve.net\/blog\/index.blog?entry_id=2346476\">http:\/\/www.controlvalve.net\/blog\/index.blog?entry_id=2346476<\/a><br \/>\nControl Valve || No License Listed <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Tortured noise-synth circuitry and some plodding drum machine, and some muffled singing, and some plunky guitar, and some squelchy sounds, and&#8230; and &#8230; and&#8230;<\/i><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.controlvalve.net\/blog\/LAK.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nD&#8217;Incise &#8211; Graphein<br \/>\n<a href=\"http:\/\/www.audiotalaia.net\/catalogue\/at071-dincise\/\">http:\/\/www.audiotalaia.net\/catalogue\/at071-dincise\/<\/a><br \/>\nAudiotalaia || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Very understated piece using only the sounds of pencils on paper.<\/i><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.audiotalaia.net\/files\/at071a.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nChris Whitehead &#8211; Habitat for Metal Plants<br \/>\n<a href=\"https:\/\/linearobsessional.bandcamp.com\/album\/habitats-for-metal-plants\">https:\/\/linearobsessional.bandcamp.com\/album\/habitats-for-metal-plants<\/a><br \/>\nLinear Obsessional || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Compositions made from improvised performances made during location recordings. I think he recorded at least some of this at industrial locations, if I read his twitter feed correctly. I may be mistaken. The metal plants in question are supposed to be metallo-botanical.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a1001048536_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nCarlo Barbagallo &#8211; Haikus<br \/>\n<a href=\"https:\/\/archive.org\/details\/HK10CarloBarbagallo\">https:\/\/archive.org\/details\/HK10CarloBarbagallo<\/a><br \/>\nSubterranean Tide || CC BY NC <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Concise, indescribable little vignettes of abstracted sound.  As with the rest of Subterranean Tide&#8217;s Haiku series, the first track is five minutes long, the second is seven, and the third is five minutes long again. <\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/ia601202.us.archive.org\/14\/items\/HK10CarloBarbagallo\/haikuproject_barbagallo_cover.jpg?cnt=0\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nJeff Kolar &#8211; Hallmark Cards Vol. 2: Happy Birthday To You<br \/>\n<a href=\"http:\/\/freemusicarchive.org\/music\/Jeff_Kolar\/Hallmark_Cards_Vol_2_Happy_Birthday_To_You\/02HappyBirthdayToYou\">http:\/\/freemusicarchive.org\/music\/Jeff_Kolar\/Hallmark_Cards_Vol_2_Happy_Birthday_To_You\/02HappyBirthdayToYou<\/a><br \/>\nHAK Lo-Fi Record || CC BY NC ND <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Birthday themed Hallmark cards with audio chips were circuit bent.  Alternately annoying, fascinating and amusing.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/ia902607.us.archive.org\/7\/items\/HAK253\/HAK253-web.jpg?cnt=0\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nLucie Vitkov\u00e1 &#8211; Ideas and Techniques<br \/>\n<a href=\"http:\/\/www.panyrosasdiscos.net\/pyr100-lucie-vitkova-ideas-and-techniques\/\">http:\/\/www.panyrosasdiscos.net\/pyr100-lucie-vitkova-ideas-and-techniques\/<\/a><br \/>\nPan Y Rosas Discos || CC BY NC ND <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Improvisations for accordian, harmonica and voice.  Intense restraint&#8230; quite beautiful.<\/i><br \/>\n<img decoding=\"async\" src=\"http:\/\/freemusicarchive.org\/file\/images\/albums\/lucie_vtkov_-_ideas_and_techniques_-_20140524124919585.jpg?width=290&#038;height=290\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nGraham Dunning &#8211; Kiosk One<br \/>\n<a href=\"https:\/\/grahamdunning.bandcamp.com\/album\/kiosk-one\">https:\/\/grahamdunning.bandcamp.com\/album\/kiosk-one<\/a><br \/>\nSelf-Released || Copyright <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Documentation of Dunning&#8217;s adventures in modified turntable. This has actually got some really funky grooves.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a1688413675_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nFrancisco Meirino &#8211; Knowing More How Than Why<br \/>\n<a href=\"http:\/\/impulsivehabitat.com\/releases\/ihab086.htm\">http:\/\/impulsivehabitat.com\/releases\/ihab086.htm<\/a><br \/>\nImpulsive Habitat || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>A diverse presentation of many fascinating sounds. This is kinda pretty much unmissable, I love this record. <\/i><br \/>\n<img decoding=\"async\" src=\"http:\/\/impulsivehabitat.com\/releases\/086\/ihab086_460.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nRadere &#8211; Koschei<br \/>\n<a href=\"http:\/\/basicsounds.ca\/2014\/08\/01\/bsc_048\/\">http:\/\/basicsounds.ca\/2014\/08\/01\/bsc_048\/<\/a><br \/>\nBasic Sounds || CC BY NC ND <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Colorado guitar-drone czar fills yr head with fuzz.<\/i><br \/>\n<img decoding=\"async\" src=\"http:\/\/basicsounds.ca\/wp-content\/uploads\/2014\/08\/00_-_radere_-_koschei_-_cover_image.png\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nNorah Lorway &#8211; Kul\u00f8r<br \/>\n<a href=\"https:\/\/xylemrecords.bandcamp.com\/album\/kul-r-2\">https:\/\/xylemrecords.bandcamp.com\/album\/kul-r-2<\/a><br \/>\nXylem || Mixed Licenses <font color=\"#67BDB6\">Some tracks allow derivs, others don&#8217;t<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Droning compositions with samples from numbers stations.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a1121571897_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nEucci &#8211; Like the City, We&#8217;re Bound to Last<br \/>\n<a href=\"http:\/\/euc.cx\/rive\/068\/index.html\">http:\/\/euc.cx\/rive\/068\/index.html<\/a><br \/>\nRive || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>A couple of wandering collages filled with all manner of interesting abstracted sounds from unknown sources.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a1594490992_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nMarlo Eggplant &#8211; Live<br \/>\n<a href=\"https:\/\/museumofmicrocassetteart.bandcamp.com\/album\/moma118-marlo-eggplant-live\">https:\/\/museumofmicrocassetteart.bandcamp.com\/album\/moma118-marlo-eggplant-live<\/a><br \/>\nMuseum of Microcassette Art || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Marlo getting down with &#8216;harpy&#8217; the autoharp plus piezo &#038; looper. Two live performances recorded to lo-fi microcassette.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a3802914564_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\n&#8216;kirchenkampf&#8217; &#8211; Live April 2014<br \/>\n<a href=\"https:\/\/kirchenkampf.bandcamp.com\/track\/live-april-2014\">https:\/\/kirchenkampf.bandcamp.com\/track\/live-april-2014<\/a><br \/>\nSelf-Released || Copyright <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Live spacey synth stuff. Nice to hear something like this from this longtime colleague.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a3892557874_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nHexeneiche &#8211; Meditation Mishaps<br \/>\n<a href=\"http:\/\/www.controlvalve.net\/blog\/index.blog\/2341507\/ctrl_vlv_052__hexeneiche__meditation-mishaps\/\">http:\/\/www.controlvalve.net\/blog\/index.blog\/2341507\/ctrl_vlv_052__hexeneiche__meditation-mishaps\/<\/a><br \/>\nControl Valve || No License Listed <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Loopy lo-fi sample-based thingie&#8230; at times jackhammery, other times almost relaxing.<\/i><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.controlvalve.net\/blog\/MM.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nPCRV &#8211; Mobile Research Music<br \/>\n<a href=\"http:\/\/www.controlvalve.net\/blog\/index.blog\/2344211\/ctrl_vlv_053__pcrv__mobile-research-music\/\">http:\/\/www.controlvalve.net\/blog\/index.blog\/2344211\/ctrl_vlv_053__pcrv__mobile-research-music\/<\/a><br \/>\nControl Valve || No License Listed <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Very diverse album of noise made with various smartphone apps. Ranges from oddball collages to synth smear to all out noise assault.<\/i><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.controlvalve.net\/blog\/PCRV.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nJakob Draminsky H\u00f8jmark &#8211; Musique d&#8217;ameublement<br \/>\n<a href=\"https:\/\/archive.org\/details\/hr085\">https:\/\/archive.org\/details\/hr085<\/a><br \/>\nHazard Records || CC0 <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>A live improv of processed bass clarinet.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/ia601000.us.archive.org\/22\/items\/hr085\/hr085_jdh_musique_d_ameublement_front.jpg?cnt=0\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nStuart Chalmers &#8211; Night Butterfly<br \/>\n<a href=\"https:\/\/archive.org\/details\/StuartChalmers-NightButterfly\">https:\/\/archive.org\/details\/StuartChalmers-NightButterfly<\/a><br \/>\nOpen Sound Group || CC BY NC ND <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Sound work based on performances with tape. Loops and warbles. Possibly classify under hauntology?<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/ia801006.us.archive.org\/6\/items\/StuartChalmers-NightButterfly\/StuartChalmers-cover.jpg?cnt=0\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nPetej Amon &#8211; Noise Psychotic Episodes<br \/>\n<a href=\"https:\/\/archive.org\/details\/HAZE298\">https:\/\/archive.org\/details\/HAZE298<\/a><br \/>\nHaze Netlabel || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Rough, distorted and noisy, somehow strangely hypnotizing.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/ia902205.us.archive.org\/19\/items\/HAZE298\/cover.jpg?cnt=0\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nPedro Chambel &#8211; Nothing Ever Happens &#8211; Chance Music Number 1<br \/>\n<a href=\"http:\/\/www.impulsivehabitat.com\/releases\/ihab096.htm\">http:\/\/www.impulsivehabitat.com\/releases\/ihab096.htm<\/a><br \/>\nImpulsive Habitat || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Glassy electronic tonescape.<\/i><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.impulsivehabitat.com\/releases\/096\/ihab096_460.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nMiquel Parera &#8211; NXA005PD-2014-01-05_03_32_07 \/ NXA005PD-2014-01-21_22_29_57<br \/>\n<a href=\"https:\/\/petroglyphmusic.bandcamp.com\/album\/miquel-parera-two-iterations-of-nxa005pd\">https:\/\/petroglyphmusic.bandcamp.com\/album\/miquel-parera-two-iterations-of-nxa005pd<\/a><br \/>\nPetroglyph Music || Copyright <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Algorithmically generated soundfields made in puredata &#038; processing.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a1646519658_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nEne &#8211; Paper Tigers<br \/>\n<a href=\"https:\/\/enemusic23.bandcamp.com\/album\/paper-tigers\">https:\/\/enemusic23.bandcamp.com\/album\/paper-tigers<\/a><br \/>\nSelf Released || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>A big hot mess of beats and things. <\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a2418208169_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nPBK &#038; Brent Gutzeit &#8211; PBK BMG 1<br \/>\n<a href=\"https:\/\/pbksound.bandcamp.com\/album\/pbk-bmg-1-2007\">https:\/\/pbksound.bandcamp.com\/album\/pbk-bmg-1-2007<\/a><br \/>\nPBKSound || Copyright <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Noiseambient. I like it very much.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a3896390392_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nHalf Evidence &#8211; Rain Spirits<br \/>\n<a href=\"http:\/\/eg0cide.com\/2014\/03\/20\/eg0_111-half-evidence-rain-spirits\/\">http:\/\/eg0cide.com\/2014\/03\/20\/eg0_111-half-evidence-rain-spirits\/<\/a><br \/>\nEg0cide || Multiple Licenses <font color=\"#67BDB6\">Some tracks allow derivs, others don&#8217;t<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Pretty together sounding group guitar improvs, percussive &#038; scrapey.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a2071689510_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nAndrew Weathers &#8211; Raised High in Badwater Basin<br \/>\n<a href=\"http:\/\/basicsounds.ca\/2014\/12\/01\/bsc_052\/\">http:\/\/basicsounds.ca\/2014\/12\/01\/bsc_052\/<\/a><br \/>\nBasic Sounds || CC BY NC ND <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Look, I&#8217;m sorry&#8230; it&#8217;s hard to go wrong with something flavored like Terry Riley + krautrock. The second track is more Eno-ish than Riley-ish.<\/i><br \/>\n<img decoding=\"async\" src=\"http:\/\/basicsounds.ca\/wp-content\/uploads\/2014\/12\/00_-_Andrew_Weathers_-_Raised_High_in_Badwater_Basin_-_cover_image.png\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nPhirnis &#038; The Euphoric Hum &#8211; Red Light<br \/>\n<a href=\"http:\/\/fwonk.co.uk\/135\/\">http:\/\/fwonk.co.uk\/135\/<\/a><br \/>\nFwonk || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>A document of a live performance with modular synth, guitar &#038; laptop<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a2135084520_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nCinchel &#8211; Reign Water<br \/>\n<a href=\"https:\/\/subterraneantide.bandcamp.com\/album\/reign-water\">https:\/\/subterraneantide.bandcamp.com\/album\/reign-water<\/a><br \/>\nSubterranean Tide || CC BY NC ND <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Cinchel picks up a synth and lays down the jams. The oddbient jams.  <\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a3068395374_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nLongstone &#8211; -\u30ea\u30b5\u30a4\u30af\u30eb risaikuru<br \/>\n<a href=\"https:\/\/linearobsessional.bandcamp.com\/album\/risaikuru\">https:\/\/linearobsessional.bandcamp.com\/album\/risaikuru<\/a><br \/>\nLinear Obsessional || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Musical interpretations of photographs paired with location recordings. All inspired by the catastrophic 2011 earthquake, and tsunami and nuclear disaster in Japan. Given the subject material, this is not very dark music, it&#8217;s quite lovely. Also out on a 12&#8243; vinyl record.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a1933464258_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">\n&#8211;<br \/>\n&#8211;<br \/>\nThe Glittering Hand &#8211; Rising<br \/>\n<a href=\"https:\/\/theglitteringhand.bandcamp.com\/\">https:\/\/theglitteringhand.bandcamp.com\/<\/a><br \/>\nSelf Released || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Very interesting &#038; constantly transforming lo bit-rate drone music, it reminds me in some ways of the spooky ambient soundtrack to Doom64.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a2327747580_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nMalaventura &#8211; Salaam Shalom<br \/>\n<a href=\"https:\/\/archive.org\/details\/MalaventuraSalaamShalom\">https:\/\/archive.org\/details\/MalaventuraSalaamShalom<\/a><br \/>\nSelf Released || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Remixes of some Arabic \/ Jewish \/ Andalusian music from vinyl. Hard to ignore the Muslimgauze-ish sound, but that&#8217;s no bad thing in my book.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/ia902307.us.archive.org\/33\/items\/MalaventuraSalaamShalom\/salam-shalom5.jpg?cnt=0\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nrngmnn &#8211; Selected Dark Ambient Works (98-14)<br \/>\n<a href=\"http:\/\/1798.1mhz.org\/album\/selected-dark-ambient-works-98-14\">http:\/\/1798.1mhz.org\/album\/selected-dark-ambient-works-98-14<\/a><br \/>\n1798 Records || Copyright <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Pretty much like it says. A big release lotsa good stuff here.<\/i><br \/>\n<img decoding=\"async\" src=\"http:\/\/f1.bcbits.com\/img\/a0842406796_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nAtilio Doreste &#8211; Shifting Boundaries<br \/>\n<a href=\"http:\/\/www.audiotalaia.net\/catalogue\/at072-atilio-doreste\/\">http:\/\/www.audiotalaia.net\/catalogue\/at072-atilio-doreste\/<\/a><br \/>\nAudiotalaia || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Circuit bending + location recordings.<\/i><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.audiotalaia.net\/files\/at072a.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nRestive &#8211; Small Tales for Urban Living<br \/>\n<a href=\"http:\/\/mahorka.org\/release\/145\">http:\/\/mahorka.org\/release\/145<\/a><br \/>\nMahorka || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>New work by one of my favorite underground abstract composers. This time he incorporates more urban field recordings into the mix.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/ia902608.us.archive.org\/34\/items\/mhrk145\/cover.jpg?cnt=0\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nOsvaldo Ciblis &#8211; soundart2014<br \/>\n<a href=\"http:\/\/osvaldocibils.com\/soundart\/soundart2014.html\">http:\/\/osvaldocibils.com\/soundart\/soundart2014.html<\/a><br \/>\nSelf Released || CC BY NC <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>A massive, sprawling 15 release set of abstract electronic textures. I haven&#8217;t been able to listen to it all, as I&#8217;ve just discovered it thanks to a recommendation from Miquel Parera&#8230; but I&#8217;d feel remiss if I didn&#8217;t include it here, because what I&#8217;ve heard is fantastic.<\/i><br \/>\n<img decoding=\"async\" src=\"http:\/\/osvaldocibils.com\/soundart\/soundart28november2014.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\noffthesky &#8211; stationaryrace<br \/>\n<a href=\"http:\/\/basicsounds.ca\/2014\/04\/01\/bsc_044\/\">http:\/\/basicsounds.ca\/2014\/04\/01\/bsc_044\/<\/a><br \/>\nBasic Sounds || CC BY NC ND <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Another Colorado colleague, this is some super lush contemporary ambient. <\/i><br \/>\n<img decoding=\"async\" src=\"http:\/\/basicsounds.ca\/wp-content\/uploads\/2014\/04\/00_-_offthesky_-_stationaryrace_-_cover_image.png\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nDr. NoiseM &#8211; Suicide City<br \/>\n<a href=\"https:\/\/archive.org\/details\/PLATARECS72\">https:\/\/archive.org\/details\/PLATARECS72<\/a><br \/>\nPlataforma Recs || CC BY ND <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Kinda electronic subway sounds, constantly passing by.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/ia902505.us.archive.org\/22\/items\/PLATARECS72\/front.jpg?cnt=0\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nJess Lemont &#8211; They Sound Like 80s Telephones and Squirrels &#038; Cats with Little Laser Beams [Jess Lemont 10-28-14\u2026 and, also, the laser beams are fake, by the way]<br \/>\n<a href=\"https:\/\/jesslemont.bandcamp.com\/album\/ep-they-sound-like-80s-telephones-and-squirrels-cats-with-little-laser-beams-jess-lemont-10-28-14-and-also-the-laser-beams-are-fake-by-the-way\">https:\/\/jesslemont.bandcamp.com\/album\/ep-they-sound-like-80s-telephones-and-squirrels-cats-with-little-laser-beams-jess-lemont-10-28-14-and-also-the-laser-beams-are-fake-by-the-way<\/a><br \/>\nSelf Released || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Blammo! Hyper-frenetic jams with drums &#038; electronics and some other instruments. Kinda hard to really describe it, but it&#8217;s good.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a2599941309_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nCinchel &#8211; The Timing Was Right For A Walk In the Woods (Take 2)<br \/>\n<a href=\"https:\/\/theavocadotapes.bandcamp.com\/track\/the-timing-was-right-for-a-walk-in-the-woods-take-2\">https:\/\/theavocadotapes.bandcamp.com\/track\/the-timing-was-right-for-a-walk-in-the-woods-take-2<\/a><br \/>\nThe Avocado Tapes || Copyright <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Yummy live cincheltronic guitar performance.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a2685354225_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nGregg Skloff &#8211; This Time The Ride Belongs To Us<br \/>\n<a href=\"https:\/\/greggskloff.bandcamp.com\/album\/this-time-the-ride-belongs-to-us\">https:\/\/greggskloff.bandcamp.com\/album\/this-time-the-ride-belongs-to-us<\/a><br \/>\nSelf Released || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Ambient in the good way.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a0225145124_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\n&#8216;kirchenkampf&#8217; &#8211; transmissions<br \/>\n<a href=\"https:\/\/kirchenkampf.bandcamp.com\/album\/transmissions-3\">https:\/\/kirchenkampf.bandcamp.com\/album\/transmissions-3<\/a><br \/>\nSelf Released || Copyright <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>This is some pretty minimal and dark stuff from this artist, love it. Hissing synth geysers.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a4197287306_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nChimess &#8211; Tujiko Noriko<br \/>\n<a href=\"https:\/\/archive.org\/details\/foot232\">https:\/\/archive.org\/details\/foot232<\/a><br \/>\nBumpFoot || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>A diverse collection of not-quite ambient music, odd but pretty calm.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/ia802205.us.archive.org\/34\/items\/foot232\/foot232.jpg?cnt=0\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nJeph Jerman \/ Tony Whitehead &#8211; Underwater<br \/>\n<a href=\"http:\/\/impulsivehabitat.com\/releases\/ihab089.htm\">http:\/\/impulsivehabitat.com\/releases\/ihab089.htm<\/a><br \/>\nImpulsive Habitat || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Improvisations with objects underwater. The master tape was submerged in a creek for a time.<\/i><br \/>\n<img decoding=\"async\" src=\"http:\/\/impulsivehabitat.com\/releases\/089\/ihab089_460.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nYann Leguay &#8211; Unstatic<br \/>\n<a href=\"http:\/\/www.impulsivehabitat.com\/releases\/ihab100.htm\">http:\/\/www.impulsivehabitat.com\/releases\/ihab100.htm<\/a><br \/>\nImpulsive Habitat || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Based on induction coil recordings of hard drives.<\/i><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.impulsivehabitat.com\/releases\/100\/ihab100_460.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nThe Inner Shore &#8211; Waves on a Pure Surface<br \/>\n<a href=\"http:\/\/textural-rec.com\/waves-on-a-pure-surface\/\">http:\/\/textural-rec.com\/waves-on-a-pure-surface\/<\/a><br \/>\nTextural Records || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Glistening, pinging drones.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a3765531562_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nPBK &#8211; Winterscrubbed<br \/>\n<a href=\"https:\/\/museumofmicrocassetteart.bandcamp.com\/album\/moma102-winterscrubbed\">https:\/\/museumofmicrocassetteart.bandcamp.com\/album\/moma102-winterscrubbed<\/a><br \/>\nMuseum of Microcassette Art || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Lo-fi noise from this master.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a3317791377_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nTahnzz &#8211; XILA<br \/>\n<a href=\"https:\/\/tahnzz.bandcamp.com\/album\/xila\">https:\/\/tahnzz.bandcamp.com\/album\/xila<\/a><br \/>\nSelf Released || Copyright <font color=\"#DA3333\">No derivs!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>New Mexico noise. Abrasive and laid-back. I have to mention the cover art, because I like it, so&#8230;<br \/>ETA: OOOPS. I just noticed that this actually came out in 2013, but I&#8217;m leaving it on this list anyway, &#8217;cause that&#8217;s how I roll.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a4160630318_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<br \/>\nMartin Rach &#8211; Zitherphonics<br \/>\n<a href=\"https:\/\/surrism-phonoethics.bandcamp.com\/album\/zitherphonics\">https:\/\/surrism-phonoethics.bandcamp.com\/album\/zitherphonics<\/a><br \/>\nSuRRism Phonoethics || CC BY NC SA <font color=\"#3FB926\">Derivs allowed!<\/font><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Martin plays his zither with a little electronic fan.<\/i><br \/>\n<img decoding=\"async\" src=\"https:\/\/f1.bcbits.com\/img\/a3918594132_2.jpg\" width=\"200\"><\/p>\n<hr width=\"77%\">&#8211;<br \/>&#8211;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Two lists, as usual. One is the stuff I did in 2014, the second is the stuff I liked that was available in the worldwide netlabel underground during the year. &#8211; Netlabeling entails releasing music for free (or name your price), accordingly every single thing here can be downloaded for free (and usually streamed too). [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[14],"tags":[],"class_list":["post-19226","post","type-post","status-publish","format-standard","hentry","category-recommended-listening"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p3eIxq-506","_links":{"self":[{"href":"http:\/\/www.vuzhmusic.com\/blog\/wp-json\/wp\/v2\/posts\/19226"}],"collection":[{"href":"http:\/\/www.vuzhmusic.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.vuzhmusic.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.vuzhmusic.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.vuzhmusic.com\/blog\/wp-json\/wp\/v2\/comments?post=19226"}],"version-history":[{"count":50,"href":"http:\/\/www.vuzhmusic.com\/blog\/wp-json\/wp\/v2\/posts\/19226\/revisions"}],"predecessor-version":[{"id":19471,"href":"http:\/\/www.vuzhmusic.com\/blog\/wp-json\/wp\/v2\/posts\/19226\/revisions\/19471"}],"wp:attachment":[{"href":"http:\/\/www.vuzhmusic.com\/blog\/wp-json\/wp\/v2\/media?parent=19226"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.vuzhmusic.com\/blog\/wp-json\/wp\/v2\/categories?post=19226"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.vuzhmusic.com\/blog\/wp-json\/wp\/v2\/tags?post=19226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}