{"id":7976,"date":"2012-12-26T10:09:30","date_gmt":"2012-12-26T17:09:30","guid":{"rendered":"http:\/\/www.vuzhmusic.com\/blog\/?p=7976"},"modified":"2013-01-12T18:37:21","modified_gmt":"2013-01-13T01:37:21","slug":"2012","status":"publish","type":"post","link":"http:\/\/www.vuzhmusic.com\/blog\/2012\/12\/26\/2012\/","title":{"rendered":"2012"},"content":{"rendered":"<p>2012 was a good year for me. I was very productive creatively.<br \/>\n&#8211;<br \/>\nIt was also a good year for netlabel music, I found a ton of good stuff to listen to. For the last several years, I&#8217;ve done a write-up of some of my favorite netlabel things released during the previous twelve months. I&#8217;m doing it again this year with this blog post, but before moving on to my end of year recommendations, I would like to call attention to the work I was personally involved in during 2012.<br \/>\n&#8211;<br \/>\nTwo of my albums came out this year:<br \/>\n<a href=\"http:\/\/www.vuzhmusic.com\/releases\/buddha.html\"><img decoding=\"async\" alt=\"\" src=\"http:\/\/www.vuzhmusic.com\/images\/buddha500.jpg\" width=\"200\" \/><\/a><br \/>\n&#8220;<a href=\"http:\/\/www.vuzhmusic.com\/releases\/buddha.html\">Buddha Reduction<\/a>&#8221; on Vuzh Music<br \/>\n&#8211;<br \/>\nand&#8230;<br \/>\n&#8211;<br \/>\n<a href=\"http:\/\/archive.org\/details\/OneOfTheDroneBoys\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/ia600702.us.archive.org\/31\/items\/OneOfTheDroneBoys\/front_thumb.jpg?cnt=0\" width=\"200\" \/><\/a><br \/>\n&#8220;<a href=\"http:\/\/archive.org\/details\/OneOfTheDroneBoys\">One of the Drone Boys<\/a>&#8221; on Linear Obsessional.<br \/>\nBoth are free downloads with CC licenses allowing for non-commercial derivative work.<\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\nInarguably the biggest thing I did this year was curate and open an exhibition of sound art, which was visited by hundreds of people in Fort Collins, Colorado, made possible through the financial support of Front Range Community College and guided by my Museum and Gallery Studies instructor Jennie Kiessling. It was titled <a href=\"http:\/\/soundthroughbarriers.com\/\">Sound Through Barriers<\/a>, and included performances by Jeph Jerman and Cheryl Leonard. The exhibition &amp; performances are extensively documented at the <a href=\"http:\/\/soundthroughbarriers.com\/\">website<\/a> with TONS of photos and TONS of sound recordings and <a href=\"http:\/\/soundthroughbarriers.com\/statement.html\">a big curatorial statement<\/a> that distills some of my thoughts about listening. Hope you&#8217;ll read it if you haven&#8217;t.<\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\nI also started performing live, after having been an exclusively a composer of recorded music prior. Here&#8217;s a video of one performance:<br \/>\n<iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/iOnXNknsrgQ\" height=\"200\" width=\"267\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><br \/>\n<a href=\"http:\/\/youtu.be\/iOnXNknsrgQ\">http:\/\/youtu.be\/iOnXNknsrgQ<\/a>,<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\nand here&#8217;s another one of the performances (audio only this time) on SoundCloud:<br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F73793024&amp;color=864a22&amp;auto_play=false&amp;show_artwork=true\"><\/iframe><\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<a href=\"http:\/\/vuzhmusic.com\">Vuzh Music<\/a> released eight albums this year by the following artists:<\/p>\n<ul type=\"disc\">\n<li><a href=\"http:\/\/www.vuzhmusic.com\/releases\/flow.html\">the Euphoric Hum<\/a>,\n<li><a href=\"http:\/\/www.vuzhmusic.com\/releases\/instability.html\">Mystified<\/a>,\n<li><a href=\"http:\/\/www.vuzhmusic.com\/releases\/swarm.html\">Jeff Sampson<\/a>,\n<li><a href=\"http:\/\/www.vuzhmusic.com\/releases\/gravity.html\">Encomiast<\/a>,\n<li><a href=\"http:\/\/www.vuzhmusic.com\/releases\/4341.html\">Jeph Jerman<\/a>,\n<li><a href=\"http:\/\/www.vuzhmusic.com\/releases\/buddha.html\">C. Reider<\/a>,\n<li><a href=\"http:\/\/www.vuzhmusic.com\/releases\/backyard.html\">David Nemeth<\/a>\n<li>and <a href=\"http:\/\/www.vuzhmusic.com\/releases\/drum.html\">Alex Charles<\/a>.<\/ul>\n<p>Each one is free to download.<\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\nI also was happy to release seven generations of new work on <a href=\"http:\/\/www.dystimbria.cc\/\">Dystimbria<\/a>, my netlabel where each new release uses appropriated material from the previous release(s). The artists this year were: AODL, Mutant Beatniks, Post-Avantist, Cinchel, Miquel Parera Jaques, David Nemeth and Phillip Wilkerson. All of their tracks can be downloaded freely from the <a href=\"http:\/\/dystimbria.cc\">Dystimbria.cc<\/a>.<\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\nOKAY, so that ends the part where I talk about my own projects from the year, and start recommending netlabel music!<br \/>\n&#8211;<br \/>\nJust like <a href=\"http:\/\/www.vuzhmusic.com\/blog\/2011\/12\/25\/my-favorite-free-netlabel-music-of-2011\/\">last year&#8217;s best-of<\/a>, I&#8217;m only going to recommend free downloads, because that&#8217;s primarily what I listen to.<br \/>\n&#8211;<br \/>\nI&#8217;m again calling special attention to those releases with licensing allowing for derivative work. I am currently working on a new set of music based entirely on samples of netlabel music with this kind of open licensing. I&#8217;m drawing samples from a diverse set of artists and transforming them into new works. This process has been very exciting, not only for me creatively, but also because it deepens my appreciation for the original works. I appreciate artists who allow for derivatives, extra hoorays for them! Derivative-friendly licenses get a happy Bush badge, unfriendly licenses get an EVIL CHENEY badge.<br \/>\n&#8211;<br \/>\nAgain I&#8217;d like to encourage more promotion of this type of underground music. How is anyone supposed to find out about underappreciated music if you don&#8217;t tell someone about it? Don&#8217;t assume that any of this music, or any other netlabel music you find has no problem attracting listeners, often very few people ever listen to this music. Unknown artists really made an effort to do good work, and they want listeners, so do your part and tell someone if you like a netlabel release. Please.<br \/>\n&#8211;<br \/>\nThis list is not qualitatively ordered, it&#8217;s alphabetical, so please don&#8217;t glean any kind of meaning from placement.<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<big><b>PLEASE share any of your favorite netlabel releases from 2012 in the comments to this post.  I and the readers of this post may have missed something really good. <\/b><\/big><br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<center><u>30 Notable Netlabel Releases of 2012<\/u><\/center><br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/ia600809.us.archive.org\/11\/items\/ar057Ademen\/ar057a.jpg?cnt=0\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/boonoderivs.jpg\" width=\"60\" \/><br \/>\n<strong>Ademen<\/strong> &#8211; <a href=\"http:\/\/auditionrecords.com\/ar057.php\">[ar057] ADEMEN | YOLANDA URIZ &amp; ANGEL FARALDO<\/a><br \/>\nAudition Records <em>cc by nc nd<\/em><\/p>\n<blockquote><p>An intense 20 minute piece of abstracted electronics.<\/p><\/blockquote>\n<p><a href=\"http:\/\/auditionrecords.com\/ar057.php\">http:\/\/auditionrecords.com\/ar057.php<\/a><\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/misc\/2012best\/barbiero.png\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/yayderivs.jpg\" width=\"60\" \/><br \/>\n<strong>Daniel Barbiero<\/strong> &#8211; <a href=\"http:\/\/zeromoon.com\/releases\/daniel-barbiero-not-one-nor-zero137\/\">Not One Nor<\/a><br \/>\nZeromoon <em>cc by nc sa<\/em><\/p>\n<blockquote><p>Nonstandard sounds and extended techniques on double bass, contrasted with long silences, or &#8220;non-actions&#8221; as the artist says. Fantastic.<\/p><\/blockquote>\n<p><a href=\"http:\/\/zeromoon.com\/releases\/daniel-barbiero-not-one-nor-zero137\/\">http:\/\/zeromoon.com\/releases\/daniel-barbiero-not-one-nor-zero137\/<\/a><\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/misc\/2012best\/brandal.jpg\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/boonoderivs.jpg\" width=\"60\" \/><br \/>\n<strong>Andreas Brandal<\/strong> &#8211; Apparition<br \/>\nControl Valve<em> license unknown<\/em><\/p>\n<blockquote><p>Andreas&#8217; intriguing sound pairs a subtle musicality with abstractions and drones. Minimal repeating phrases and saturated squalls of howling sound, all with a keen sense of flow and composition. Very nice, I like a lot of this fellow&#8217;s work.<\/p>\n<p>I always check the Control Valve netlabel for new things, they&#8217;re one of my favorites in terms of content, but the website design is frustrating. I can&#8217;t deep link direct to the album, because of the way the netlabel presents its releases. Here&#8217;s the label&#8217;s website: <a href=\"http:\/\/www.controlvalve.net\/\">http:\/\/www.controlvalve.net\/<\/a> To get this release, you&#8217;ll either have to go to &#8216;releases&#8217; on the main site, and search for the album or you could go to <a href=\"http:\/\/archive.org\/details\/AndreasBrandal-Apparition-Ctrlvlv041.zip\">this archive page<\/a> and download the .zip (it&#8217;s not a normal netaudio release page).<\/p>\n<p>Control Valve also doesn&#8217;t provide release date or licensing information for its releases, I wish they did.<\/p><\/blockquote>\n<p><a href=\"http:\/\/www.controlvalve.net\/\">http:\/\/www.controlvalve.net\/<\/a><\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/ia701504.us.archive.org\/31\/items\/petroglyph_016_Alex_Charles_Audio_for_Noisy_Rooms\/00_-_noisy_rooms_Image_0_Thumbnail_thumb.jpg?cnt=0\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/boonoderivs.jpg\" width=\"60\" \/><br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/ia701208.us.archive.org\/13\/items\/Trevenec_219\/EPcover_thumb.jpg?cnt=0\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/yayderivs.jpg\" width=\"60\" \/><br \/>\n<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/misc\/2012best\/charles.jpg\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/boonoderivs.jpg\" width=\"60\" \/><br \/>\n<strong>Alex Charles<\/strong> &#8211; <a href=\"http:\/\/archive.org\/details\/petroglyph_016_Alex_Charles_Audio_for_Noisy_Rooms\">Audio for Noisy Rooms<\/a><br \/>\nPetroglyph <em>cc by nc nd<\/em><br \/>\n<strong>Alex Charles<\/strong> &#8211; <a href=\"http:\/\/linearobsessional.bandcamp.com\/album\/trevenec\">Trevenec<\/a><br \/>\nLinear Obsessional <em>cc by nc sa<\/em><br \/>\n<strong>Alex Charles<\/strong> &#8211; <a href=\"http:\/\/alexcharles.bandcamp.com\/album\/words-i-regularly-misspell\">Words I Regularly Misspell including &#8216;Calendar&#8217; &amp; &#8216;Publically&#8217;<\/a><br \/>\nself released<em> cc by nc nd<\/em><\/p>\n<blockquote><p>Just three of the many releases by this prolific artist during 2012. I&#8217;ve listened to as many as I can. Alex&#8217;s stuff is always interesting, a common strategy of his is to select a collection of materials non-standard to sound making and improvise with them while running these sounds into a looper. <span style=\"text-decoration: underline;\">Audio for Noisy Rooms<\/span> uses insistent electronic synthesis, <span style=\"text-decoration: underline;\">Trevenec<\/span> focuses on bell sounds, and <span style=\"text-decoration: underline;\">Words I Regularly Misspell&#8230;<\/span> is the most melodic of the things I&#8217;ve heard from him, even going into a long, repeating sung refrain at the finale.<\/p><\/blockquote>\n<p><a href=\"http:\/\/archive.org\/details\/petroglyph_016_Alex_Charles_Audio_for_Noisy_Rooms\">http:\/\/archive.org\/details\/petroglyph_016_Alex_Charles_Audio_for_Noisy_Rooms<\/a><br \/>\n<a href=\"http:\/\/linearobsessional.bandcamp.com\/album\/trevenec\">http:\/\/linearobsessional.bandcamp.com\/album\/trevenec<\/a><br \/>\n<a href=\"http:\/\/alexcharles.bandcamp.com\/album\/words-i-regularly-misspell\">http:\/\/alexcharles.bandcamp.com\/album\/words-i-regularly-misspell<\/a><\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/ia701200.us.archive.org\/30\/items\/Surrounded_By_Pages\/A_Thumbnail.JPG?cnt=0\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/boonoderivs.jpg\" width=\"60\" \/><br \/>\n<strong>Conure<\/strong> &#8211; <a href=\"http:\/\/treetrunkrecords.wordpress.com\/2012\/03\/28\/conure-surrounded-by-pages-treetrunk-211\/\">Surrounded by Pages<\/a><br \/>\nTreetrunk <em>cc by nc nd<\/em><\/p>\n<blockquote><p>Begins with a splendid 22 minute track of mind-clearing, slow-burning, intense, harsh noise. The final two tracks are not as harsh, but equally deserving of attention.<\/p><\/blockquote>\n<p><a href=\"http:\/\/treetrunkrecords.wordpress.com\/2012\/03\/28\/conure-surrounded-by-pages-treetrunk-211\/\">http:\/\/treetrunkrecords.wordpress.com\/2012\/03\/28\/conure-surrounded-by-pages-treetrunk-211\/<\/a><\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"http:\/\/f0.bcbits.com\/z\/14\/17\/1417800374-1.jpg\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/yayderivs.jpg\" width=\"60\" \/><br \/>\n<strong>Gurdonark<\/strong> &#8211; <a href=\"http:\/\/weareallghosts.bandcamp.com\/album\/open-spaces-waag-rel009\">Open Spaces<\/a><br \/>\nWe Are All Ghosts<em> cc by<\/em><\/p>\n<blockquote><p>Each Gurdonark release is similar in content, simple, plucky little melodies played with soft synth pads, this time with prominent glissandi used in the compositions. I enjoy listening to each Gurdonark release to get a feel for Robert Nunnally&#8217;s progression as an artist, but I also simply enjoy the music for itself.<\/p><\/blockquote>\n<p><a href=\"http:\/\/weareallghosts.bandcamp.com\/album\/open-spaces-waag-rel009\">http:\/\/weareallghosts.bandcamp.com\/album\/open-spaces-waag-rel009<\/a><\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/ia700705.us.archive.org\/19\/items\/pf028HeCanJog-PocketSuite\/HeCanJog-PocketSuite_thumb.jpg?cnt=0\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/yayderivs.jpg\" width=\"60\" \/><br \/>\n<strong>He Can Jog<\/strong> &#8211; <a href=\"http:\/\/pocketfields.com\/post\/24536164742\/pf028-he-can-jog-pocket-suite\">Pocket Suite<\/a><br \/>\nPocket Fields (<em>conflicting reports of license, on archive it&#8217;s listed as cc by nc nd, on other places it&#8217;s cc by nc sa &#8211; the artist assures me he&#8217;s derivatives friendly.)<\/em><\/p>\n<blockquote><p>A nice abstract journey in static-y tone clusters and glitches. Feels somehow melodic and rhythmic, but it&#8217;s neither. I&#8217;m not sure how he pulled off that effect!<\/p><\/blockquote>\n<p><a href=\"http:\/\/pocketfields.com\/post\/24536164742\/pf028-he-can-jog-pocket-suite\">http:\/\/pocketfields.com\/post\/24536164742\/pf028-he-can-jog-pocket-suite<\/a><\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"http:\/\/f0.bcbits.com\/z\/22\/74\/2274456199-1.jpg\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/boonoderivs.jpg\" width=\"60\" \/><br \/>\n<strong>The Implicit Order<\/strong> &#8211; <a href=\"http:\/\/theimplicitorder.bandcamp.com\/album\/gaps-in-the-land\">Gaps in the Land<\/a><br \/>\nWholeness Recordings <em>cc by nd<\/em><\/p>\n<blockquote><p>Talk about your &#8216;hauntology&#8217;&#8230; the Implicit Order wrote the book on spooky nostalgic collage music. This road-trip themed release is as good as it gets, very nice work. Although it does nag me that his work is built on appropriated samples from copyrighted sources, and yet his own work is licensed disallowing others to remix it.<\/p><\/blockquote>\n<p><a href=\"http:\/\/theimplicitorder.bandcamp.com\/album\/gaps-in-the-land\">http:\/\/theimplicitorder.bandcamp.com\/album\/gaps-in-the-land<\/a><\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/ia701508.us.archive.org\/26\/items\/Improvisation_and_Indeterminacy\/Main_Image_thumb.jpg?cnt=0\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/yayderivs.jpg\" width=\"60\" \/><br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/ia601200.us.archive.org\/22\/items\/tn033\/cover_thumb.jpg?cnt=0\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/yayderivs.jpg\" width=\"60\" \/><br \/>\n<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/misc\/2012best\/miquel.jpg\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/yayderivs.jpg\" width=\"60\" \/><br \/>\n<strong>Miquel Parera Jaques<\/strong> &#8211; <a href=\"http:\/\/treetrunkrecords.wordpress.com\/2012\/10\/21\/improvisation-and-indeterminacy-miquel-parera-jaques-treetrunk-245\/\">Improvisation and Indeterminacy<\/a><br \/>\nTreetrunk <em>cc by nc sa<\/em><br \/>\n<strong>Miquel Parera Jaques<\/strong> &#8211; <a href=\"http:\/\/www.tecnonucleo.org\/index.php?page=release&amp;release=33\">nxN001 Empty Space<\/a><br \/>\nTecno Nucleo <em>cc by nc sa<\/em><br \/>\n<strong>Miquel Parera Jaques<\/strong> &#8211; <a href=\"http:\/\/musicnumbers.wordpress.com\/2012\/11\/17\/nxvacuity001-for-computer-and-pipe-organ-miquel-parera-jaques\/\">nxVacuity001 for Computer and Pipe Organ<\/a><br \/>\nComputerMusicNeixMusic <em>cc by nc sa<\/em><\/p>\n<blockquote><p>Miquel Parera Jaques is one of those artists whose releases I always listen to, and usually I end up really liking a lot. The first two releases listed here feature Jaques&#8217; mind-massaging complex electronic wave forms slowly transforming&#8230; utterly and completely mesmerizing stuff. It&#8217;s hard to concentrate on anything but the sound when this music is on. The last release here is something a bit different, as it uses algorithmic computer functions to generate midi signals to control a pipe organ. It reminds me of some of the stochastic synth work I&#8217;ve heard from academic sources, but of course the organ sounds lend a contextual weight, which Miquel outlines in his artist statement. I would like to have seen more variation in terms of rhythm \/ tempi and timbre in this work, but it is fascinating that this very different work elicits some of the same mesmerizing effect as the electronic stuff.<\/p><\/blockquote>\n<p><a href=\"http:\/\/treetrunkrecords.wordpress.com\/2012\/10\/21\/improvisation-and-indeterminacy-miquel-parera-jaques-treetrunk-245\/\">http:\/\/treetrunkrecords.wordpress.com\/2012\/10\/21\/improvisation-and-indeterminacy-miquel-parera-jaques-treetrunk-245\/<\/a><br \/>\n<a href=\"http:\/\/www.tecnonucleo.org\/index.php?page=release&amp;release=33\">http:\/\/www.tecnonucleo.org\/index.php?page=release&amp;release=33<\/a><br \/>\n<a href=\"http:\/\/musicnumbers.wordpress.com\/2012\/11\/17\/nxvacuity001-for-computer-and-pipe-organ-miquel-parera-jaques\/\">http:\/\/musicnumbers.wordpress.com\/2012\/11\/17\/nxvacuity001-for-computer-and-pipe-organ-miquel-parera-jaques\/<\/a><\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/ia601206.us.archive.org\/8\/items\/TulseHill\/Cover_thumb.jpg?cnt=0\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/yayderivs.jpg\" width=\"60\" \/><br \/>\n<strong>Hannah Marshall<\/strong> &#8211; <a href=\"http:\/\/linearobsessional.bandcamp.com\/album\/tulse-hill\">Tulse Hill<\/a><br \/>\nLinear Obsessional <em>cc by nc sa<\/em><\/p>\n<blockquote><p>These are improvisations for cello with de-tuned strings. Many of the pieces are structured with simple repeating tone phrases, but rhythmically they sway in an organically determined imprecise meter&#8230; this is something that interests me very much, something I&#8217;ve explored and continue to explore in my own music. I keep listening to this and my appreciation keeps growing. Splendid work.<\/p><\/blockquote>\n<p><a href=\"http:\/\/linearobsessional.bandcamp.com\/album\/tulse-hill\">http:\/\/linearobsessional.bandcamp.com\/album\/tulse-hill<\/a><\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/ia601504.us.archive.org\/24\/items\/Decameteer\/DecameteerGraphics.jpg?cnt=0\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/yayderivs.jpg\" width=\"60\" \/><br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/ia701508.us.archive.org\/35\/items\/Novometeer\/NovometeerGraphics_thumb.jpg?cnt=0\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/yayderivs.jpg\" width=\"60\" \/><br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/ia701209.us.archive.org\/12\/items\/Octometeer-AudiolinguisticDocumentary\/Octometeer_thumb.jpg?cnt=0\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/yayderivs.jpg\" width=\"60\" \/><br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/ia601207.us.archive.org\/33\/items\/Meteer-ThreeWordSeminary\/200.jpg?cnt=0\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/boonoderivs.jpg\" width=\"60\" \/><br \/>\n<strong>Meteer<\/strong> &#8211; <a href=\"http:\/\/archive.org\/details\/Decameteer\">Decameteer<\/a><br \/>\nWithering Trees netlabel <em>cc by nc sa<\/em><br \/>\n<strong>Meteer<\/strong> &#8211; <a href=\"http:\/\/archive.org\/details\/Novometeer\">Novometeer<\/a><br \/>\nWithering Trees netlabel <em>cc by nc sa<\/em><br \/>\n<strong>Meteer<\/strong> &#8211; <a href=\"http:\/\/archive.org\/details\/Octometeer-AudiolinguisticDocumentary\">Octometeer<\/a><br \/>\nWithering Trees netlabel <em>cc by nc sa<\/em><br \/>\n<strong>Meteer<\/strong> &#8211; <a href=\"http:\/\/www.bfwrecordings.com\/releases\/Meteer\/ThreeWordSeminary\/\">Three Word Seminary<\/a><br \/>\nBFW Recordings <em>cc by nc nd<\/em><\/p>\n<blockquote><p>We were lucky to have a bunch of Meteer releases this year! <span style=\"text-decoration: underline;\">Three Word Seminary<\/span> is ambient electronica with an edge&#8230; expertly made. The three -meteer releases &#8211; named after the last three months of the year &#8211; are the same, but with a more experimental \/ exploratory edge. I think I&#8217;ve listened to <span style=\"text-decoration: underline;\">Novometeer<\/span> the most, but they&#8217;re all good. If you don&#8217;t know his work, you are cheating yourself.<\/p><\/blockquote>\n<p><a href=\"http:\/\/archive.org\/details\/Decameteer\">http:\/\/archive.org\/details\/Decameteer<\/a><br \/>\n<a href=\"http:\/\/archive.org\/details\/Novometeer\">http:\/\/archive.org\/details\/Novometeer<\/a><br \/>\n<a href=\"http:\/\/archive.org\/details\/Octometeer-AudiolinguisticDocumentary\">http:\/\/archive.org\/details\/Octometeer-AudiolinguisticDocumentary<\/a><br \/>\n<a href=\"http:\/\/www.bfwrecordings.com\/releases\/Meteer\/ThreeWordSeminary\/\">http:\/\/www.bfwrecordings.com\/releases\/Meteer\/ThreeWordSeminary\/<\/a><\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/ia700803.us.archive.org\/1\/items\/Where_Angels_Fear_To_Tread\/A_Thumbnail_thumb.jpg?cnt=0\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/yayderivs.jpg\" width=\"60\" \/><br \/>\n<strong>Mystified<\/strong> &#8211; <a href=\"http:\/\/archive.org\/details\/Where_Angels_Fear_To_Tread\">WhereTheAngelsFearToTread<\/a><br \/>\nTreetrunk <em>cc by nc<\/em><\/p>\n<blockquote><p>Thomas Park does country music. He\u2019ll put a boot up yer ass, it\u2019s the American way. There\u2019s little identifiably \u201ccountry\u201d about this music, the genre\u2019s conventions are strained really thin, curt steel twangs twitch in repetitive spasms and the slide guitars shimmer confusedly.<\/p><\/blockquote>\n<p><a href=\"http:\/\/archive.org\/details\/Where_Angels_Fear_To_Tread\">http:\/\/archive.org\/details\/Where_Angels_Fear_To_Tread<\/a><\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"http:\/\/ia601201.us.archive.org\/21\/items\/Home_Drones_Nemeth\/A_Thumbnail.JPG?cnt=0\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/yayderivs.jpg\" width=\"60\" \/><br \/>\n<strong>David Nemeth<\/strong> &#8211; <a href=\"http:\/\/archive.org\/details\/Home_Drones_Nemeth\">Home Drones<\/a><br \/>\nTreetrunk <em>cc by<\/em><\/p>\n<blockquote><p>Miscellaneous domestic hums and whirrs treated as though they were worth documenting and listening to, which of course they are. I think it\u2019s fab.<\/p><\/blockquote>\n<p><a href=\"http:\/\/archive.org\/details\/Home_Drones_Nemeth\">http:\/\/archive.org\/details\/Home_Drones_Nemeth<\/a><\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/misc\/2012best\/noisemaker.jpg\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/boonoderivs.jpg\" width=\"60\" \/><br \/>\n<strong>The Noisemaker<\/strong> &#8211; <a href=\"http:\/\/ins-out.com\/inside\/releases\/insd-010\/\">Space Drones<\/a><br \/>\nInside Outside <em>cc unspecified<\/em><\/p>\n<blockquote><p>A pair of completely lovely drones, can&#8217;t say it&#8217;s especially &#8220;spacey&#8221; though. The first sounds like its source might be a high tempo drum machine looping a single tom hit run through liberal amounts of chorus &amp; delay. Somehow this builds into an enveloping atmosphere of shimmering overtones. The second track is a low frequency hum, a higher frequency whine and a repeating ping. The simple things make me happy sometimes.<\/p><\/blockquote>\n<p><a href=\"http:\/\/ins-out.com\/inside\/releases\/insd-010\/\">http:\/\/ins-out.com\/inside\/releases\/insd-010\/<\/a><\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/misc\/2012best\/pbk.jpg\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/boonoderivs.jpg\" width=\"60\" \/><br \/>\n<strong>PBK<\/strong> &#8211; <a href=\"http:\/\/nostalgie-de-la-boue.blogspot.com\/2012\/02\/pbk-thrill-pictures-condensed.html\">Thrill Pictures (Condensed)<\/a><br \/>\nNostalgie de la Boue <em>license not listed<\/em><\/p>\n<blockquote><p>A reissue of one of my favorite abstract noise-ambient albums from my tape collecting \/ trading days. This is a drop-dead classic of abstract ambient-noise. Unmissable.<\/p><\/blockquote>\n<p><a href=\"http:\/\/nostalgie-de-la-boue.blogspot.com\/2012\/02\/pbk-thrill-pictures-condensed.html\">http:\/\/nostalgie-de-la-boue.blogspot.com\/2012\/02\/pbk-thrill-pictures-condensed.html<\/a><\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/ia701200.us.archive.org\/4\/items\/phroq_recording_of_various_vibrations\/cover.jpg?cnt=0\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/boonoderivs.jpg\" width=\"60\" \/><br \/>\n<strong>Phroq<\/strong> &#8211; <a href=\"http:\/\/www.uzusounds.com\/phroq.html\">Recordings of various vibrations and stress situations<\/a><br \/>\nUzu Sounds <em>cc by nc nd<\/em><\/p>\n<blockquote><p>Begins with an eight second blast of loud harsh noise, just enough to scare the shit out of you. The remainder is a very compelling exploration of strange textures coaxed out of piezo mics and failing equipment, with some recordings of live performances thrown in for good measure. The bare minimum of acid-etched sound, no ornamentation.<\/p><\/blockquote>\n<p><a href=\"http:\/\/www.uzusounds.com\/phroq.html\">http:\/\/www.uzusounds.com\/phroq.html<\/a><\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/ia701204.us.archive.org\/6\/items\/restive_m30\/m30_1400.jpg?cnt=0\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/yayderivs.jpg\" width=\"60\" \/><br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/ia700702.us.archive.org\/28\/items\/restive_m31\/m31_thumb.jpg?cnt=0\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/yayderivs.jpg\" width=\"60\" \/><br \/>\n<strong>Restive<\/strong> &#8211; <a href=\"http:\/\/archive.org\/details\/restive_m30\">[m2012\/30-09]<\/a><br \/>\nRestiveSonic <em>cc by nc sa<\/em><br \/>\n<strong>Restive<\/strong> &#8211; <a href=\"http:\/\/archive.org\/details\/restive_m31\">[m2012\/31-06]<\/a><br \/>\nRestiveSonic <em>cc by nc sa<\/em><\/p>\n<blockquote><p>Crunchy loops and entrancing melodic sequences. I think I&#8217;ve enjoyed these two releases more than anything he&#8217;s done prior.<\/p><\/blockquote>\n<p><a href=\"http:\/\/archive.org\/details\/restive_m30\">http:\/\/archive.org\/details\/restive_m30<\/a><br \/>\n<a href=\"http:\/\/archive.org\/details\/restive_m31\">http:\/\/archive.org\/details\/restive_m31<\/a><\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/ia701209.us.archive.org\/20\/items\/martins_rokis-live_rec\/rokis_live.jpg?cnt=0\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/boonoderivs.jpg\" width=\"60\" \/><br \/>\n<strong>Martins Rokis<\/strong> &#8211; <a href=\"http:\/\/www.uzusounds.com\/rokis_live_rec\">Live Recordings 2009-2011<\/a><br \/>\nUzu Sounds <em>cc by nc nd<\/em><\/p>\n<blockquote><p>Hi voltage computer music. Intense and captivating swirls of generated waves and noise.<\/p><\/blockquote>\n<p><a href=\"http:\/\/www.uzusounds.com\/rokis_live_rec\">http:\/\/www.uzusounds.com\/rokis_live_rec<\/a><\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"http:\/\/f0.bcbits.com\/z\/27\/11\/2711682902-1.jpg\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/yayderivs.jpg\" width=\"60\" \/><br \/>\n<strong>Schemawound<\/strong> &#8211; <a href=\"http:\/\/music.schemawound.com\/album\/they-want-to-make-your-body-move-i-want-to-hold-you-perfectly-still\">They Want To Make Your Body Move. I Want To Hold You Perfectly Still<\/a><br \/>\nself-released <em>cc by nc<\/em><\/p>\n<blockquote><p>Sparse electronic atmospheres. Yummy oscillations, drifty quasi-melodic tones, slowly creeping crunches &amp; clicks. Says here it was made with Soundcollider.<\/p><\/blockquote>\n<p><a href=\"http:\/\/music.schemawound.com\/album\/they-want-to-make-your-body-move-i-want-to-hold-you-perfectly-still\">http:\/\/music.schemawound.com\/album\/they-want-to-make-your-body-move-i-want-to-hold-you-perfectly-still<\/a><\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/ia700704.us.archive.org\/28\/items\/pan068\/pan068_thumb.jpg?cnt=0\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/boonoderivs.jpg\" width=\"60\" \/><br \/>\n<strong>Sound_00 &amp; Iversen<\/strong> &#8211; <a href=\"http:\/\/archive.org\/details\/pan068\">II<\/a><br \/>\nPanospria <em>cc by nd<\/em><\/p>\n<blockquote><p>Collaborative quasi-ambient drone music derived from field recordings. Bonus points for the sempervivum on the cover!<\/p><\/blockquote>\n<p><a href=\"http:\/\/archive.org\/details\/pan068\">http:\/\/archive.org\/details\/pan068<\/a><\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/ia601207.us.archive.org\/13\/items\/SouthGare\/Coversmall.jpg?cnt=0\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/yayderivs.jpg\" width=\"60\" \/><br \/>\n<strong>Chris Whitehead<\/strong> &#8211; <a href=\"http:\/\/linearobsessional.bandcamp.com\/album\/south-gare\">South Gare<\/a><br \/>\nLinear Obsessional <em>cc by nc sa<\/em><\/p>\n<blockquote><p>A composition that organizes selected phonographic elements and multi-tracks them together with a smattering of humble percussive interactions with actual spaces. Terrific.<\/p><\/blockquote>\n<p><a href=\"http:\/\/linearobsessional.bandcamp.com\/album\/south-gare\">http:\/\/linearobsessional.bandcamp.com\/album\/south-gare<\/a><\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/ia700408.us.archive.org\/32\/items\/at053GentlyAnnoying\/at053a_thumb.jpg?cnt=0\" width=\"200\" \/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/img\/yayderivs.jpg\" width=\"60\" \/><br \/>\n<strong>Xes\u00fas Valle<\/strong> &#8211; <a href=\"http:\/\/www.audiotalaia.net\/catalogue\/at053-xesus-valle\/\">Gently Annoying<\/a><br \/>\nAudiotalaia <em>cc by nc sa<\/em><\/p>\n<blockquote><p>How do you even describe this album? It&#8217;s peculiar and diverse and offputting and catchy and&#8230; and&#8230; gently annoying. An intriguing collection of off-kilter music that grooves by its own secret inner logic.<\/p><\/blockquote>\n<p><a href=\"http:\/\/www.audiotalaia.net\/catalogue\/at053-xesus-valle\/\">http:\/\/www.audiotalaia.net\/catalogue\/at053-xesus-valle\/<\/a><\/p>\n<hr \/>\n<p>&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\n&#8211;<br \/>\nMy Last.FM stats for the last year (I&#8217;m last.FM user <a href=\"http:\/\/www.last.fm\/user\/vuzh\">vuzh<\/a>)&#8230; you were thinking I don&#8217;t actually listen to this stuff, were you?<br \/>\n&#8211;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"http:\/\/vuzhmusic.com\/misc\/2012best\/lastfm.png\" width=\"550\" \/><br \/>\n&#8211;<br \/>\n&#8211;<br \/>\nNetlabel links:<\/p>\n<ul type=\"circle\">\n<li><a href=\"http:\/\/www.audiotalaia.net\/\">Audiotalaia<\/a><\/li>\n<li><a href=\"http:\/\/auditionrecords.com\">Audition<\/a> (although they insist they are NOT a netlabel, perhaps they don&#8217;t want to be classified with the rest of these no-class, trashy labels?)<\/li>\n<li><a href=\"http:\/\/www.bfwrecordings.com\/\">BFW Recordings<\/a><\/li>\n<li><a href=\"http:\/\/www.controlvalve.net\/\">Control Valve<\/a><\/li>\n<li><a href=\"http:\/\/ins-out.com\">Inside Outside<\/a><\/li>\n<li><a href=\"http:\/\/linearobsessional.weebly.com\/\">Linear Obsessional<\/a><\/li>\n<li><a href=\"http:\/\/www.notype.com\/drones\/catalogue.e\/panospria\/\">Panospria<\/a><\/li>\n<li><a href=\"http:\/\/petroglyphmusic.com\/\">Petroglyph<\/a><\/li>\n<li><a href=\"http:\/\/pocketfields.com\/\">Pocket Fields<\/a><\/li>\n<li><a href=\"http:\/\/www.tecnonucleo.org\/\">Tecno Nucleo<\/a><\/li>\n<li><a href=\"http:\/\/treetrunkrecords.wordpress.com\/\">Treetrunk<\/a><\/li>\n<li><a href=\"http:\/\/www.uzusounds.com\/\">Uzu Sounds<\/a><\/li>\n<li><a href=\"http:\/\/www.weareallghosts.co.uk\/\">We Are All Ghosts<\/a><\/li>\n<li><a href=\"http:\/\/witheringtreesmusic.npage.de\/\">Withering Trees<\/a><\/li>\n<li><a href=\"http:\/\/zeromoon.com\">Zeromoon<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>2012 was a good year for me. I was very productive creatively. &#8211; It was also a good year for netlabel music, I found a ton of good stuff to listen to. For the last several years, I&#8217;ve done a write-up of some of my favorite netlabel things released during the previous twelve months. I&#8217;m [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[14],"tags":[],"class_list":["post-7976","post","type-post","status-publish","format-standard","hentry","category-recommended-listening"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/s3eIxq-2012","_links":{"self":[{"href":"http:\/\/www.vuzhmusic.com\/blog\/wp-json\/wp\/v2\/posts\/7976"}],"collection":[{"href":"http:\/\/www.vuzhmusic.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.vuzhmusic.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.vuzhmusic.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.vuzhmusic.com\/blog\/wp-json\/wp\/v2\/comments?post=7976"}],"version-history":[{"count":92,"href":"http:\/\/www.vuzhmusic.com\/blog\/wp-json\/wp\/v2\/posts\/7976\/revisions"}],"predecessor-version":[{"id":8623,"href":"http:\/\/www.vuzhmusic.com\/blog\/wp-json\/wp\/v2\/posts\/7976\/revisions\/8623"}],"wp:attachment":[{"href":"http:\/\/www.vuzhmusic.com\/blog\/wp-json\/wp\/v2\/media?parent=7976"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.vuzhmusic.com\/blog\/wp-json\/wp\/v2\/categories?post=7976"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.vuzhmusic.com\/blog\/wp-json\/wp\/v2\/tags?post=7976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}