First Review of Discorporate
Ten years (off and on) in the making, this 7-track, 46-minute collaboration between drone composer C. Reider and abstractionist PBK is a curious and immersive set of noisy, textured, alien soundscapes, with a very proto-industrial feel. Beginning with the befuddling, loopily surreal opener (we’ll call it ‘Track 1′), the album gels into a far-out set of abstracted sounds, textures, and sound collages. Track 4 is a densely-collaged mass of squelch and what sounds like manipulated and layered field recordings. Track 5 is more woozy, like waking up from a horrible anesthesia experience with your head spinning and throbbing. Track 7 wakes from the dream to a lilting, ambient journey at the beach, complete with what seems like distant waves and seagulls (or was I imagining that? Didn’t hear it the second time through). It’s a fitting conclusion to an otherwise disorienting journey, and a marvelous one, at that.